Sunday, May 7, 2017

Ah-Ah-Amsterdam 2017, Day 6

If you want a quiet night’s sleep, stay in de Pijp.  It is like a tomb here.  Until the sun comes up and the birds start twittering.  It’s funny because this is a densely-populated area, built in the 19th c. as cheap housing for workers.  Now it is becoming gentrified, there are singles and families here, and of course five hundred million bikes.  But it remains extremely quiet at night, at least on Rustenberg Straat.
The Rijksmuseum is the Louvre of Holland, so of course if you are here you have to go. It is quite grand, and as crowded as you might expect.  The big draw is the aptly-named Hall of Honour, where the big guns of Dutch painting hang:  Hals, Bols, Steen, Vermeer, and of course, Rembrandt.  The centerpiece is R’s Nightwatch, a massive painting of a civic guard, in which R strayed from the usual more static depictions of such groups to show this crowd all busily engaged in some action.  They’re all milling about as militia do, and it is, in fact, a day-scene but the painting had darkened so over time that people just started to assume it was all taking place at night.  Now it is has been cleaned, and you can see the sunshine.  All the Rembrandt-iana is on display in this picture:  the charmingly intimate portraiture, fancy brush work, movement, light used to highlight important people, and perhaps even the artist himself, peeking out from behind some guardsman.  It is indeed a worthy centerpiece but I like the quiet little Vermeers myself, as well as the more Flemish still-lifes with their peel-y lemons and glowing glass. 
A conversation while contemplating a painting showing people skating on a canal:
Me:  The Dutch are famous speed skaters, but you never hear about Dutch ice hockey.  I wonder why that is?
Izzy:  Because they are scared.
Snap!
We spend about three hours working our way through the collection at the Rijks – which, while it looks like some marvelous Dutch castle of the 17th c. was in fact only built in the late 19th c.! – ending at this massive Pieneman about the battle of Waterloo.[1]  It is not as masterful as the Nightwatch, but shares the tropes of a group of men, a lot going on, and maybe night (also maybe just old and dirty).  The moment depicted is when Wellington hears that the Prussians are coming as reinforcements and he knows that will turn the tide against the French – they are finis, and some would say it’s all been downhill for them ever since. 
The helpful cards that accompany all the big works in the museum, pointing out interesting details and making this whole process barely tolerable for the youngest member of our party, direct us to the hilarious portrait of an outraged French prisoner down in one corner, who looks like he can’t BELIEVE that this is happening.  See our pix on the Facebook for that hilarious detail.
Another thing you are supposed to do in A-dam is eat pancakes.  Large ones are thin and topped with all manner of sweet and savory toppings, but the real draw for tourists (because I can’t believe that locals eat these at any other time than when they have visiting firemen) are the little puffy ones called poffertjes.  They usually come topped with a heavy drift of powdered sugar and a large pat of butter.  They are exactly the same wherever you go, leading us to believe that there is a central distributor of giant bags of poffertje batter, perhaps even just piping it in to the myriad pancakeries around town via an underground tank-and-pipe system.  They’re not bad – once – for a pick-me-up, but try them again, and after a savory pancake for lunch, and all you will really want to do is take a nap.
When I get back to Cambridge I am eating nothing but green vegetables for a week.  Maybe even raw ones.
The poffertje-coma hits me in full force at the Stejdelik Museum, the premier contemporary art museum here.  It is quite a collection and big on de Stijl which is the major Dutch art movement of the 20th c., but all I really want to do is lie down on that big couch in the main hall and snooze. 
We rally with a wander through all nine of the 9 Straatjes, which is a charming set of streets in the Jordaan district filled with funky shops in which we make some purchases.  We lose Peter to a meetup with a friend from home for a few hours, but he joins us again later for a mercifully non-frites-accompanied Japanese dinner. 





[1] It is the biggest painting in the museum!

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