Wednesday, September 2, 2015

Over the Top in France - August 8

Now that we know how to get out Reims, we can’t get out fast enough.  Besides, this hotel is full of German and Dutch tourists.

But wait, there’s more war to go!  We wind up our World-War-One-ing with a visit to La Musée de la Grande Guerre in Meaux.  This crazy modern structure looks like a spaceship plunked down in the outskirts of this city more famous for mustard than anything else. [1]  But it is a great museum, the nucleus of which is the photographer Jean-Pierre Vernay’s vast collection of uniforms and weaponry of course, but also materials from trenches, tools, kit, and posters, and artillery, and books and newspapers and mess kits and all that stuff, beautifully displayed and well-described (even tri-lingually at times).  There is a mobile kitchen, and a mobile pigeon loft!  There is less on the Yanks here, not surprisingly, and like all the museums and sites we visit in France, it is quite balanced with respect to the Germans.  Where this museum really stands out is giving the sense of this as a global war from the get-go:  there is plenty of good information on the involvement of French and German and British colonies, more on Russia than we saw anywhere else, and really outstanding contextualizing on other forces like Revolution before, during, and after. The museum does a lot with sound:  when you walk through the gate you hear horses (they pulled all the artillery), then some motors, then you start to hear shelling as you approach the entrance, all layered over one another.  In the trench section, there is clinking and clanking and trench-life noises.  There are a billion photographs, and a stereoscope section.  But the most astonishing thing that this museum has is an absolute ton of video, both French and German, actual film footage of soldiers living, fighting, and lying dead in trenches with rats crawling over their bodies.  

I loved the French and German trench reconstructions right across a no-mans-land from each other, with video projected on the wall into them, of actual French and German soldiers in trenches, so it looked like they were right there.

The final bit is a 4 ½ minute video showing what happened in France and Germany and Great Britain after the war, clearly linking this to the next conflagration.  And then a hall showing dates of first conflict and final resolution (or not) for so many parts of this, Israel-Palestine, for example, or the Balkans, issues that had their start with this war, and still smolder today.  The Yanks may have turned the tide in this war, but the larger conflict resonated for decades, on battlefields far from France and Belgium.

One of your last sights is a two-way exhibit of soldiers' gravestones – English, French, American, Italian, German, Jewish, Muslim, Christian – that you see first from the main gallery, from the back, just the silhouettes.  Then as you go down the final hallway, the front of the gravestones is revealed, and they are all unknown:  An American Soldier Known Only to God, Un Soldat Inconnu, Ein Unbekannte Soldat and so on.  So many unknown. 

This museum is actually built right next to another huge American monument, although this one is from the American Friends of France, not the government.  It is rather florid:  an enormous naked woman, not very well draped in a robe covered with fleur-de-lis, struggling to carry a dead man.  She towers over the recently landscaped (read: inconsequential) trees, but I’m glad we saw her because she’s been here far longer than the museum, and must have been kind of ignored until this place was built.

Herein ends the WW1 portion of our adventure.  Guided by Miss RC, we have learned a great deal, seen some beautiful parts of France and the aftermath of terrible things.  The thought that hangs over everything is that all of that terrible loss of life and unbelievable-except-that-you’ve-seen-it devastation was pretty much for naught.  Not even 25 years later, they do it all over again.  This time there is less long-term fighting – tactics have changed and all moves much more quickly – and there is the new horror of occupation and deportation.  The Americans come again, fight hard, lose lives, but this time must do more than just hold the line in France.  You can’t help but wonder at alternative outcomes when you see how close this one came to going the other way.  And, we deal still with the fallout from this one today, especially in the Balkans and the Middle East.  So what did it accomplish?  Bill read Remarque’s masterpiece All Quiet on the Western Front while we travelled, and I have read it since we returned to that oasis of peace, Cambridge, MA.  But I recognize landmarks in the story, and thus it acquires another layer of truth as I see it all more vividly.  As Kurt Vonnegut said, “so it goes.”

Moving along . . . we pop in to Chartres to see the Cathedral du Notre Dame du Chartres, one of the great achievements of Gothic cathedral-building.  You are disappointed when you walk in, because there is so much scaffolded and wrapped, and you think we drove all this way and walked up that stupid hill on my bum ankle because my husband wants to see one more g.d. cathedral but as you go farther into the structure, you see where they have finished the cleaning and fixing, and how glorious is this light and bright and airy space!  The stone carving is like lace and the stained glass glows.  The church is being restored to its 18th c. refurbishment, so there is more white plaster than polychrome, but the contrast with the non-cleaned areas is stunning and you think dammit Bill was right again to stop.  Especially after you come upon a troop of middle-aged French people performing traditional country dances on the plaza outside of the cathedral and your daughter is entranced as she often is with dance.    

We deviate now from our regularly-scheduled programming to enjoy a weekend (well, a night) in the country.  Bill's friend Kate and her husband Bastien have a charming place in la Perche, where they go every weekend, and we are welcomed for an impromptu party with them and the funcles:  Andy and Laurent.[2]  After a visit to a local goat farm to collect some divine cheese and meet its caprine producers, the party is basically sitting around on an idyllic summer evening drinking and talking and laughing and eating Bastien's delicious cooking.  There was a promise of charades that was not entirely fulfilled, despite Laurent's gallant effort, and it is possibly that Izzy will hold this against Andy forever.  But a very lovely time was had by all and we are so happy that our friends suggested this detour and that we took it!



[1] Pommery de Meaux, the really good seedy kind.
[2] Sounds like a band for kids.  Playing the Cape Cod Melody Tent this Saturday at 10 a.m.:  The Funcles!  But A and L are way cooler than that.

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